Violet Hour in The Plain Dealer on Mother's Day 2023, and a love note to my son and husband

Happy Mother’s Day to me! This May 14th morning I pulled some pants on over my nightgown, drove to a nearby gas station on Harvard, and picked up a copy of The Plain Dealer; the paper that moved my branch of the Oldfather family from Nebraska to Ohio when my Grandpa Roger got a job with them in the 50s. I sat down at our long, wooden dining room table and opened up the Sunday A&E section. This is what I saw:

Many thanks to cleveland.com and The Plain Dealer for featuring my work so prominently! Thank you to Steven Litt for spending time with the exhibition and writing a thoughtful piece of criticism. My heart is extra full this Mother’s Day. You can read the full article online here.

Let’s celebrate all the mothers today, and the families that support the boundaries we mothers must set in order to have lives of own. We are thankful you acknowledge that this makes us better, not just for ourselves, but for you! Your love and life make us better too! We love you so much and are grateful to be your mothers and wives.

Violet Hour, a solo exhibition, at Abattoir Gallery in April/May 2023

It’s been 6 years since my paintings have been presented in a solo exhibition in my home town. Though a global pandemic has surely thrown a wrench into the machinery, time moves strangely. It doesn’t seem like its been that long! However, the progression of my work belies that intuition and will appear starkly different from the abstract work I made in the past. My current oil paintings and works on paper focus on landscape and the ways we project ourselves onto the world outside. Through subtle color shifts and invented forms, these dreamscapes underscore the beauty and pathos of being alive within the context of our relationships to one another and the environment we share.

I’m excited to announce my upcoming solo exhibition, Violet Hour, with Abattoir Gallery in the Clark Fulton District of Cleveland. The exhibition opens with a reception on Saturday, April 22nd (Earth Day!), from 6-8pm, and runs through May 27th. Many thanks to Lisa and Rose for the care and time they’ve given to me throughout this process. We all hope you can visit us and look forward to spending time with you in the gallery!

violet hour

Landscape/Cityscape, group exhibition at Abattoir Gallery

I’m excited to announce my participation in a group show at the powerhouse Abattoir Gallery opening Friday, December 9 from 6-8pm in the Hildebrandt Building! Its an honor and a pleasure to work with Rose Burlingham and Lisa Kurzer and I thank them for including me in this stellar line-up of artists, including a couple of my favorites: Lumin Wakoa, and Hildur Asgeirsdottir Jonsson. I hope to see you at the opening reception, but if not, the exhibition will be on view during gallery hours in December: Thursday, Friday, and Saturday 12-5pm, and through January by appointment.

I’m also completely thrilled to announce I’m hard at work for a solo show with Abattoir in 2023! More information to follow as we get closer.

door landscape cityscape
hildur landscape cityscape
spencer dana landscape cityscape

Season closing party at moCa Cleveland!

I’m excited to celebrate our season and my site-responsive digital drawing, “Flyfall”, with you all on Friday, June 3rd at moCa Cleveland. There is a whole schedule of events beginning at the Cleveland Institute of Art just down the street from the museum. You can see the full schedule of events here. The evening at moCa kicks off at 5pm and continues through 9pm. I’ll be saying some brief thanks around 7ish. I hope to be able to appreciate the installation and cheers you Friday night before the exhibitions come down Monday, June 6.

NFTs available on OpenSea!

Recently, I’ve dug into blockchain technology, cryptocurrency, NFTs, and a little bit of Web3, and I’m pleased to share that now, some of my digital drawings are available for purchase through the OG crypto-market OpenSea. Its a wild world over there and it can be hard to find what you’re looking for unless you can name it directly, so here is a link to my collections. You’ll need your own cryptowallet and ETH or POLY(wrapped ETH) to purchase one of these little ditties, so please do your research if you’ve not already explored these currencies.

Blockchain technology is an interesting development for people who make digital artworks and I’m looking forward to diving further into this space and seeing how it will develop with more Web3 implementation.

I’d love to be a part of the Foundation community and marketplace but need to be invited first. If anyone out there in webland can hook a woman up, I’d really appreciate it! ;)

If you’re curious about DeFi (decentralized finance), blockchain technology, cryptocurrencies and NFTs there are some really helpful articles on Coindesk or Medium. Happy reading everyone!

Panel Discussion on Artist/Mother Podcast

Artist Mothers at Red Arrow Gallery in Nashville

Artist Mothers at Red Arrow Gallery in Nashville

In March, on the final day of my exhibition, BEAST, with Red Arrow Gallery in Nashville, a community of artist mothers got together from near and far to hear a panel discussion between Allison Reimus, Karen Seapker, and myself. It was a lovely day and a lively conversation, that the incredible Kaylan Buteyn organized, moderated, recorded, and aired on her Artist/Mother Podcast this month. You can find it here along with some information about the panelists.

Many thanks again ladies. It’s gratifying and comforting to share and hear your stories.

Full Fathom Five at Progressive Main Campus

Cleveland is a small town. The arts community is even smaller. I've lived and made artwork here all my life and one gets to a point where one thinks they know most (if not all) the artists who make quality work within their community. Thanks to Full Fathom Five, the brainchild of Amber Kempthorn and the curatorial team at Progressive Insurance Art Collection, Scott Westover and Kristin Rogers, I was thankfully shown how ludicrous that notion is.

The program was designed to supplement the international art fair Front that came to Cleveland this summer.  Front has been cited by many in the local and national press as failing to showcase the rich and diverse arts community in Cleveland. Full Fathom Five strove to provide outsiders traveling to Cleveland for the "cultural exercises" of Front a comprehensive exhibition of the high caliber artists working in the Northeast Ohio area. But, not only is this an exhibition of extraordinary work, the process by which the artists were selected was a remarkable, and community building cultural exercise in itself.

Five artists, professors at The Cleveland Institute of Art, were selected and asked to choose one other artist, whose work they admire, to be included in the exhibition. There was just one catch, the chooser could not personally know, or be very well acquainted with, the choosee.  Each artist in exhibition had a studio visit with the curators of the Progressive Art Collection. Additionally, the chooser would accompany the curators on the studio visit of their choosee. There were 5 rounds of artists, with studio visits for all, culminating in an exhibition of work from all 30 artists. See information on the concept here. See the participating artists here

Organizing this many visits, artwork selection and pickup was a massive undertaking and the generosity of the curators, Scott and Kristin, was humbling. As was the nurturing nature of the program as a whole. Relationships between artists developed and flourished. It could be felt at the openings around the city this summer as we caroused and celebrated each other. We were bolstered, rejuvenated. Visitors to the exhibition at Progressive’s Campus II in Mayfield off SOM Center Road will see this demonstrated in the text written by the artists and curators on view with the work. There is a public reception, Thursday, September 6, from 6-9pm. RSVP is required to attend and can be done online here.

I hope to see you at the reception in September!

Full Fathom Five.png